ĐÁNH GIÁ TAMRON 17-35

Need a lightweight, compact, simple-to-use lens?Few will complain about these features.

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Want good image chất lượng but also want a low price?Again, most of us do.

If any of your answers khổng lồ these questions were "yes," the full-frame-compatible Tamron 17-35mm f/2.8-4 Di OSD Lens might have your name on it.

Focal Length Range

One of the first reasons to buy a lens or to select a lens for use is because the focal length or focal length range meets the needs of the subject being photographed.Lenses containing an Ultra-wide-angle zoom focal length range are extremely popular & for a good reason: there are a huge number of subjects best captured with this range.

Lenses in this category vary somewhat in their starting & stopping focal lengths with 16-35mm perhaps being most standard (in my mind at least) & I find this range useful as a gauge for comparing the other options.In this case, the 17mm wide kết thúc is slightly narrower than 16mm.The angle of view difference 1mm in focal length makes is minuscule at telephoto focal lengths, but the angle of view difference between 16mm & 17mm is noticeable (and wider options exist).Still, 17mm is really wide.On the long end, this lens hits the full 35mm I use for the comparable.

When you cannot get any farther away from your subject but still need to get a wide area of view in the frame, you want an ultra-wide-angle lens.Better still is lớn be able to choose an ultra-wide-angle for perspective reasons.An ultra-wide-angle lens has the capability, via perspective, of making a foreground object (ideally something interesting or attractive such as a flower) appear large và emphasized in relation lớn a distant yet potentially in-focus backgroundwith a vast amount of background in the frame and with subjects in the background rendered relatively small.To the vast amount of background point, especially careful attention must be paid khổng lồ ultra-wide-angle composition — hopefully the background is as attractive as the foreground.I generally find excellent ultra-wide compositions more challenging lớn create than normal or telephoto compositions, but when the right scene is found, ultra-wide results are tremendously rewarding.

The foreground emphasis with background inclusion capability fits especially well with landscape photography and this entire focal length range is perfect for that use.Start looking for a beautiful patch of flowers in front of a large mountain range (perhaps with a lake between them for an additional layer of interest) lớn utilize the ultra-wide-angle concepts just discussed.Or zoom khổng lồ 35mm to lớn take in a smaller angle of view, keeping distant subjects (such as mountains) larger in the frame.Also, try using a wide-open aperture with that close subject, letting the background go out of focus and drawing more emphasis on the foreground subject.

The only-mildly-wide-angle 35mm long end of this focal length is easy to compose with.This ultra-popular focal length shows a natural perspective, allowing the viewer to lớn feel part of the scene.

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While a close-up wide-angle perspective can look amazing in a landscape scene, it is generally to be avoided when a person is the primary subject.What you vị not (usually) want to appear large in the foreground of your ultra-wide composition is a person"s nose.We vày not typically look at a person from really close distances and if we do, that person becomes uncomfortable with us being in their personal space (and even more so when a camera is in hand).When we look at photos of people captured from very close distances, certain body parts (usually the nose) start to lớn look humorously (to some) large.Unique portrait perspectives can be fun, but this technique should not be overused as it quickly gets old.Get the telephoto lens out for your tightly-framed portraits.

However, that does not mean wide-angle focal lengths are not a good choice for photographing people.Simply move back và include people in a larger scene, creating environmental portraits.The 35mm focal length is a great choice for full-body portraits và this focal length range also nicely handles small up lớn very large groups.Note that group photography requiring an ultra-wide-angle focal length to lớn fit everyone in the frame often leaves those in the front row appearing considerably larger than those in the back row.Back up or move the subjects back khổng lồ reduce the multi-row perspective issue.

The 17-35mm focal length range is a great option for the wide work at weddings, family gatherings, & at other events as well as for photojournalism and sports photography needs.This lens can also be used overhead, lớn photograph over crowds such as those arriving on-field after football games.

Many of the just-discussed uses happen at a venue that itself is worthy of being photographed.Wide-angles make interior spaces, from houses khổng lồ vehicles, look large & allow for illustrative composition even when working space is limited.This focal length range is an important one for architecture.

When photographing architecture, a level camera is often desired to lớn keep walls and the sides of buildings straight/vertical in the frame, avoiding converging lines.However, it is not always possible, affordable, or convenient to get the camera khổng lồ a height that permits the desired framing with a cấp độ camera.This is especially common when photographing the exterior of buildings from ground level.A tilt-shift lens is the ideal choice for this situation, but an ultra-wide-angle lens can also get the job done.Simply phối up the camera in a level position, zoom out until the building (or other subject) is contained in the frame, capture the image, và then crop whatever is not desired in the frame, typically at the bottom, during post processing.Basically, having a lens that takes in wide angles of view can circumvent the need for a tilt-shift lens (with resolution loss from the cropping being a downside) or pixel-level-destructive perspective correction.

Directly related khổng lồ architecture photography is real estate photography and that use has us circling back lớn include the landscape capabilities of this focal length range.The landscape after dark, aptly described as nightscape, is a frequent use for the 17-35mm range.Also, count cityscapes on this lens" great uses list.

Do you like the looking upward into the woods with tree trunks converging into the center of the frame type of picture?This lens can bởi that.It is seldom that my pack does not have a lens covering this focal length range in it.

You never know when you might encounter a random remote poison ivy throne, but when you do, you will be glad that you have this focal length range available.

Here is an example of what this focal length range looks lượt thích on a full frame camera: